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All Peter Paul Rubens Oil Paintings


 
 
Peter Paul Rubens Diana and Callisto (mk01) oil painting reproduction


Diana and Callisto (mk01)
1556-9 Oil on canvas; 188x203cm 74x79 1/8in National Gallery of Scotland Edinburgh
new5/Peter Paul Rubens-869699.jpgPainting ID::  20216
 

 

 
   
      

All Peter Paul Rubens Oil Paintings


 
 
Peter Paul Rubens Diana and Callisto (mk01) oil painting reproduction


Diana and Callisto (mk01)
1628-9 Copy after Titian. Oil on canvas, Private collection
new5/Peter Paul Rubens-363659.jpgPainting ID::  20218
 

 

 
   
      

All Peter Paul Rubens Oil Paintings


 
 
Peter Paul Rubens Diana and Callisto (mk01) oil painting reproduction


Diana and Callisto (mk01)
C.1619 Oil on canvas 202x323cm 79 1/2x127 1/8in Museo del Prado, Madrid
new5/Peter Paul Rubens-755333.jpgPainting ID::  20272
 

 

 
   
      

Peter Paul Rubens
  
Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.
Diana and Callisto (mk01)
C.1619 Oil on canvas 202x323cm 79 1/2x127 1/8in Museo del Prado, Madrid

Related Paintings to Peter Paul Rubens :.
| Payen, Auguste Antoine Joseph -- Gezicht op het huis van de assistent-resident te Banjoewangi (Oost-Java), 1828 | Willem Maris - Boys herding donkeys | Anonymous - Portrait of James I (1566-1625), King of England | Landscape, 1893 | Portrait de femme2 | | Portrait of Mr and Mrs Carter of Bullingdon House, Bulmer, Essex | Landscape in Lower Austria (mk12) | An Extensive River Scene with Fishermen at Night | Screen | An Offering |


        

 

 

 

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